Like many people, I have enjoyed the “The Queen’s Gambit” on Netflix this Fall—not realizing how invested I would be in chess competitions!
An even better surprise, however, was what a sumptuous feast of wallpaper (and costumes and hair) the show would be.
The wallpaper was truly something special though. (Wallpaper is the responsibility of the set decorator to find for sets.)
I mean how many shows can boast of wallpaper being a key visual signifier of a character’s arc and development? Plus how many shows lavish this much wallpaper upon you? (the answer to that is: “Babylon Berlin,” which is designed by the same production designer Uli Hanisch and decorated by the same set decorator Sabine Schaaf someday I’ll compile all my wallpaper love for Babylon Berlin.)
For now though, buckle in, I’m going recap all, yes ALL, the fabulous wallpaper from “The Queen’s Gambit.”
Spoilers abound.
Pretty subtle tonal pattern, fitting for an institution like an orphanage, yet still a surprising and nice layer of texture on the walls where usually we expect something a little more drab.
Episode 1, was often hard to get through as it is quite dark and bleak. And just like the rest of the series, the wallpaper fun really starts picking up starting at Episode 2.
If you are keeping track at home, yes that brings our current total of Beth’s home wallpapers to SIX different designs. (…and counting)
These new additions brings our current total of Beth’s home wallpapers to NINE different designs. NINE! I love that Ms. Alma Wheatley (Beth’s mom) is a maximalist after my own heart. More is more baby!
I noted with interest that the home of her wealthy classmate does not have much wallpaper (except that vestibule) in stark contrast to her own home. Painted room colors, but not wallpaper. Is that a statement of the family’s differing classes? Or a statement of characters: dull and boring classmates vs. Mrs. Wheatley’s unexpressed musical talents and artistic aspirations?
This wallpaper (above) really is a whole groovy free-love youth culture MOOD so far from Beth’s chess world.
The chess tournament in Mexico is so much about the amazing colorful Art Deco stained glass windows of the hotel location which they paired with some bold and colorful floor coverings. Since that is not wallpaper (hah) I didn’t screenshot it.
Even though is a room (above) we haven’t seen yet until now, it is a wallpaper we have seen already. Remember? The entryway wallpaper we got a brief glimpse of at the edge of the shot way up in Episode 2? Since we’ve seen this pattern before, wallpaper count for Beth’s home is still NINE.
To further my earlier speculation of the plaid in Beth’s bedroom meant to echo the grid on the chessboard I noted with great interest (and self-serving affirmation of my thesis) that the wallpaper in Benny’s bedroom (Beth’s only American chess equal) is also a plaid. …!!! you see!
and now, the moment we have all been waiting for…* drum roll please *
THE HOME DECOR MAKEOVER SEQUENCE!
Beth is newly empowered, she bought her home outright, she’s successful and rich and what better way to assert her newfound identity and independence than by redecorating her parent’s home!
There’s nothing more fun and satisfying as a viewer than to watch a character’s story develop as manifested through a makeover sequence. Instead of all the hard, slow, and boring work we as normal humans have to undergo for a transformation of self, whenever we get treated to a montage makeover in movies or TV, the transformation is sped up into a series of quickly changing sequences that rapidly show the outer reflections of the inner work. (supposedly)
Usually it is a parade of costume changes and grooming with a new haircut, but “The Queen’s Gambit” gave us a home renovation which Beth is undertaking alone to become the grown adult woman with an identity she is creating for herself, which is just as satisfying.
you might notice that these three new wallpaper’s that Beth chose are exactly the three on display at the home decor store (see below).
Which maybe is a statement of how she wanted a change but didn’t want to put that much of an original personality spin on it preferring to just buy a display out in its entirety. Does also sound like the thing a working woman with lots of cash but preoccupied with other things (such as world chess domination) would do.
Here are some other shots of the newly made over home. Still a riot of pattern and color similar to the way her mom Ms. Wheatley decorated her home prior, just with a new more updated spin, lighter in feel, and more like a young modern woman.
Interestingly, in the last episode (Episode 7) we see the rooms that Beth doesn’t makeover: the kitchen, her mom’s bedroom, and her mom’s master bathroom.
It seems to make sense that she would want to hold onto some parts of the home that remind her of her mom and ground her in those years with her. (that’s how I’m reading it).
It also could be by the time she got to the kitchen she realized how expensive it is to totally redo a kitchen and decided she couldn’t be bothered for the meantime (haha relate.)
ok everyone, we made it to the final wallpapers of the season: this fabulous geometric one in Beth’s Russian hotel room.
What I love about these two images above, is how the geometric wallcoverings in that long hallway ( I suspect they had a lot of big paintings to cover and fabric was the easiest clearable solution) are echoed in the geometric pattern of the bedspread, and in sync with the color palette and geometric angles of the wallpaper, and her final windowpane coat!
All this geometric angular black and white remind you of anything?…SAY A CHESSBOARD????
WALLPAPER COUNT: 28 total!
So for all my rhapsodizing of the FABULOUS and wonderous wallpaper and general design and decoration of “The Queen’s Gambit,” I have to say my number one disappointment in the series is how they treated the character of Jolene.
As I watched Jolene’s reappearance in the final episode I was like “Noooooo please don’t tell me they are…” ….sigh, they really are using Jolene as a stereotypical flattened out Black best friend archetype whose only real purpose is to care for our (white) protagonist and help her overcome her demons. Sigh.
Well fabulous wallpapers or not, we all know Hollywood has a LONG way to go in doing non-White characters justice on screen, which is precisely why I wanted to get into set decoration: to merge my love for decorative arts and design with the desire to help authentically and thoughtfully create sets for underrepresented characters on screen.