A Tribute to the Wallpaper on "The Queens Gambit" by Charlene Wang de Chen

Three different great wallpapers in one shot!

Three different great wallpapers in one shot!

Like many people, I have enjoyed the “The Queen’s Gambit” on Netflix this Fall—not realizing how invested I would be in chess competitions!

An even better surprise, however, was what a sumptuous feast of wallpaper (and costumes and hair) the show would be.

The wallpaper was truly something special though. (Wallpaper is the responsibility of the set decorator to find for sets.)

I mean how many shows can boast of wallpaper being a key visual signifier of a character’s arc and development? Plus how many shows lavish this much wallpaper upon you? (the answer to that is: “Babylon Berlin,” which is designed by the same production designer Uli Hanisch and decorated by the same set decorator Sabine Schaaf someday I’ll compile all my wallpaper love for Babylon Berlin.)

For now though, buckle in, I’m going recap all, yes ALL, the fabulous wallpaper from “The Queen’s Gambit.”

Spoilers abound.

our first glimpse of any wallpaper in the whole show, in the headmistress’s office in the orphanage.

our first glimpse of any wallpaper in the whole show, in the headmistress’s office in the orphanage.

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Pretty subtle tonal pattern, fitting for an institution like an orphanage, yet still a surprising and nice layer of texture on the walls where usually we expect something a little more drab.

Episode 1, was often hard to get through as it is quite dark and bleak. And just like the rest of the series, the wallpaper fun really starts picking up starting at Episode 2.

Beth’s first glimpse of her new home, the wallpaper is making a big hello.

Beth’s first glimpse of her new home, the wallpaper is making a big hello.

a very pretty 1940’s style floral print in the living room that would look very on trend today in 2020.

a very pretty 1940’s style floral print in the living room that would look very on trend today in 2020.

great shot of the living room wallpaper framing the stairway wallpaper

great shot of the living room wallpaper framing the stairway wallpaper

upstairs hallway wallpaper with glimpses of the master bathroom and in Beth’s room wallpapers…

upstairs hallway wallpaper with glimpses of the master bathroom and in Beth’s room wallpapers…

great framing of Beth’s wallpaper and hallway paper, PLUS look at those two different carpets! Looks like the hallway carpet is a floral design like the wallpaper and love Beth’s textured pattern carpet + rug.

great framing of Beth’s wallpaper and hallway paper, PLUS look at those two different carpets! Looks like the hallway carpet is a floral design like the wallpaper and love Beth’s textured pattern carpet + rug.

I have a theory that the plaid wallpaper is a nod to the chessboard grid to show this is Beth’s, our burgeoning chess genius, space. The plaid stands out in the mostly floral dominated wallpaper home.

I have a theory that the plaid wallpaper is a nod to the chessboard grid to show this is Beth’s, our burgeoning chess genius, space. The plaid stands out in the mostly floral dominated wallpaper home.

just needed to highlight this fabulous couch fabric which complements the wallpaper (and matches the drapes). You can’t always see the floral print in all the shots of the couch (depends on the lighting) but this shot really shows it off. Her mom is…

just needed to highlight this fabulous couch fabric which complements the wallpaper (and matches the drapes). You can’t always see the floral print in all the shots of the couch (depends on the lighting) but this shot really shows it off. Her mom is in a hilarious body configuration of hurry in this still too.

This shot is the first time we see a glimpse (see the far left) of ANOTHER wallpaper in the entry way.

This shot is the first time we see a glimpse (see the far left) of ANOTHER wallpaper in the entry way.

If you are keeping track at home, yes that brings our current total of Beth’s home wallpapers to SIX different designs. (…and counting)

👀  is that some fun wallpaper in what is supposed to be a depressing discount basement at the local department store?

👀 is that some fun wallpaper in what is supposed to be a depressing discount basement at the local department store?

in this shot, you get just a glimpse, but see that the pink wall complements it perfectly

in this shot, you get just a glimpse, but see that the pink wall complements it perfectly

ooo fun, the fun 60’s mod wallpaper layered with a mod printed fabric that’s the dressing room curtain.

ooo fun, the fun 60’s mod wallpaper layered with a mod printed fabric that’s the dressing room curtain.

the mod shape cut out for the dressing room door is * chef’s kiss .* In a scene where we are definitely supposed to be paying attention to the clothes Beth is trying on, I love that the designer and decorator still chose to have lots of fun with wal…

the mod shape cut out for the dressing room door is * chef’s kiss .* In a scene where we are definitely supposed to be paying attention to the clothes Beth is trying on, I love that the designer and decorator still chose to have lots of fun with wallpaper and textiles to tell the story of this department store.

And we are back in at Beth’s home, another room (the kitchen) AND ANOTHER WALLPAPER!

And we are back in at Beth’s home, another room (the kitchen) AND ANOTHER WALLPAPER!

Dining Room, and another wallpaper!!!

Dining Room, and another wallpaper!!!

Beth’s mom bedroom! Look at that wallpaper and the matching curtains and lampshade!!!! And the bedspread that looks like it is the same print but the inverse colorway. omg!

Beth’s mom bedroom! Look at that wallpaper and the matching curtains and lampshade!!!! And the bedspread that looks like it is the same print but the inverse colorway. omg!

A better look into her mom’s bathroom which we just got a tiny glimpse of before from the hallway.

A better look into her mom’s bathroom which we just got a tiny glimpse of before from the hallway.

this shot is such a great display of set decoration.

this shot is such a great display of set decoration.

These new additions brings our current total of Beth’s home wallpapers to NINE different designs. NINE! I love that Ms. Alma Wheatley (Beth’s mom) is a maximalist after my own heart. More is more baby!

The first hotel room they stay in together when they go to Cincinnati, opening a whole new world to both of them, and oh look a wallpaper! It is a subtle and rather staid tonal small geometric pattern perfectly at home in this room.

The first hotel room they stay in together when they go to Cincinnati, opening a whole new world to both of them, and oh look a wallpaper! It is a subtle and rather staid tonal small geometric pattern perfectly at home in this room.

while technically not a wallpaper, this looks like a fabric pleated wall covering, still felt important to include.

while technically not a wallpaper, this looks like a fabric pleated wall covering, still felt important to include.

Beth escaping the home of her classmates and wait, is that? yes, it is some wallpaper in that vestibule!

Beth escaping the home of her classmates and wait, is that? yes, it is some wallpaper in that vestibule!

I noted with interest that the home of her wealthy classmate does not have much wallpaper (except that vestibule) in stark contrast to her own home. Painted room colors, but not wallpaper. Is that a statement of the family’s differing classes? Or a statement of characters: dull and boring classmates vs. Mrs. Wheatley’s unexpressed musical talents and artistic aspirations?

LOOK AT THAT MID-CENTURY MODERN STAIR RAIL PATTERN!!!!!! (not a wallpaper I know)

LOOK AT THAT MID-CENTURY MODERN STAIR RAIL PATTERN!!!!!! (not a wallpaper I know)

Hello Vegas! You know they were having fun when doing this set. I mean look at those super fun stylized dice above the headboard and how the diamond shapes are then echoed in the vibrant mid-century wallpaper.

Hello Vegas! You know they were having fun when doing this set. I mean look at those super fun stylized dice above the headboard and how the diamond shapes are then echoed in the vibrant mid-century wallpaper.

Leaning into Vegas’ loudness, look at this super fun and flamboyant pink hallway wallpaper we only see for a second framed by the room’s green one.

Leaning into Vegas’ loudness, look at this super fun and flamboyant pink hallway wallpaper we only see for a second framed by the room’s green one.

There are so many good details, like how the chair upholstery fabric is the same pattern as the bedspread and curtain but just a different colorway.

There are so many good details, like how the chair upholstery fabric is the same pattern as the bedspread and curtain but just a different colorway.

the painted diamond pattern on the closet doors to mimic the shapes of the wallpaper!

the painted diamond pattern on the closet doors to mimic the shapes of the wallpaper!

Not a wallpaper from what I can tell, but really great reflective wall texture to bounce the low light.

Not a wallpaper from what I can tell, but really great reflective wall texture to bounce the low light.

The opening of Episode 4 is a visual feast of a totally different vibe as we see Beth in a new milieu.

The opening of Episode 4 is a visual feast of a totally different vibe as we see Beth in a new milieu.

our baby is growing up, and partying with kids her own age who aren’t chess nerds.

our baby is growing up, and partying with kids her own age who aren’t chess nerds.

This is the room when she wakes up in it, and the wallpaper almost disappears in the daylight whereas it was so perfectly illuminated in the candle scene prior.

This is the room when she wakes up in it, and the wallpaper almost disappears in the daylight whereas it was so perfectly illuminated in the candle scene prior.

we get treated to a bunch of wallpaper patterns that showcase what else was also going on in the 60’s (and then leading into the 70’s) design wise that is a totally departure from the geometric shapes of mid-century modern optimism of the west coast…

we get treated to a bunch of wallpaper patterns that showcase what else was also going on in the 60’s (and then leading into the 70’s) design wise that is a totally departure from the geometric shapes of mid-century modern optimism of the west coast in Vegas.

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This wallpaper (above) really is a whole groovy free-love youth culture MOOD so far from Beth’s chess world.

another bold wallpaper that Beth wakes up into.

another bold wallpaper that Beth wakes up into.

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The chess tournament in Mexico is so much about the amazing colorful Art Deco stained glass windows of the hotel location which they paired with some bold and colorful floor coverings. Since that is not wallpaper (hah) I didn’t screenshot it.

The lushness of the rich and deep colors and overlapping geometric designs contrasted with the tropical plant shapes. It is so sexy and alluring. Seductive even.

The lushness of the rich and deep colors and overlapping geometric designs contrasted with the tropical plant shapes. It is so sexy and alluring. Seductive even.

our first glimpse of the Mexico hotel room’s deep colored textured wallpaper. And the brightly patterned floor and the fun bead curtain all together is a full party.

our first glimpse of the Mexico hotel room’s deep colored textured wallpaper. And the brightly patterned floor and the fun bead curtain all together is a full party.

With more light we get a much better sense of the great geometric shaped pattern of the wallpaper which I’m guessing is suppose to be a nod to Aztec geometrical motifs.

With more light we get a much better sense of the great geometric shaped pattern of the wallpaper which I’m guessing is suppose to be a nod to Aztec geometrical motifs.

This bathtub shot is to die for. I know there’s not wallpaper here either so technically I shouldn’t be typing about it in this post, but look at that super creative vertical bathroom tile pattern! (in NYC set decorators are in charge of tile.)

This bathtub shot is to die for. I know there’s not wallpaper here either so technically I shouldn’t be typing about it in this post, but look at that super creative vertical bathroom tile pattern! (in NYC set decorators are in charge of tile.)

back in Beth’s home in a room we haven’t seen yet: the downstair’s bathroom

back in Beth’s home in a room we haven’t seen yet: the downstair’s bathroom

Even though is a room (above) we haven’t seen yet until now, it is a wallpaper we have seen already. Remember? The entryway wallpaper we got a brief glimpse of at the edge of the shot way up in Episode 2? Since we’ve seen this pattern before, wallpaper count for Beth’s home is still NINE.

This is not an exciting wallcovering moment, but it is a moment when my husband I both said, there’s no way this building is New York City (as scripted) the stairway is way too deep. Looks much more European…say like Berlin where most of the limited…

This is not an exciting wallcovering moment, but it is a moment when my husband I both said, there’s no way this building is New York City (as scripted) the stairway is way too deep. Looks much more European…say like Berlin where most of the limited series was shot?

Hahah! A set that is supposed to be dingy, spartan, somewhat makeshift bachelor den somehow still has two wallpapers. When I saw this I laughed to myself, cause I was like the designer and decorator on this show love wallpaper so much they just can’…

Hahah! A set that is supposed to be dingy, spartan, somewhat makeshift bachelor den somehow still has two wallpapers. When I saw this I laughed to myself, cause I was like the designer and decorator on this show love wallpaper so much they just can’t help themselves. Which hey i’m all for!

To further my earlier speculation of the plaid in Beth’s bedroom meant to echo the grid on the chessboard I noted with great interest (and self-serving affirmation of my thesis) that the wallpaper in Benny’s bedroom (Beth’s only American chess equal) is also a plaid. …!!! you see!

Wallpaper in Beth’s fancy Parisian hotel suite

Wallpaper in Beth’s fancy Parisian hotel suite

a beautiful elegant wallpaper in the hotel lobby as Beth’s frenemy gives her that destructive phone call.

a beautiful elegant wallpaper in the hotel lobby as Beth’s frenemy gives her that destructive phone call.

ok I know there’s no wallpaper here in this shot of Beth’s Paris hotel suite, but THE WINDOW TREATMENTS! (they get more play in the opening shot of the series) Again, in NYC unlike other regions, the set decorators are in charge of window treatments…

ok I know there’s no wallpaper here in this shot of Beth’s Paris hotel suite, but THE WINDOW TREATMENTS! (they get more play in the opening shot of the series) Again, in NYC unlike other regions, the set decorators are in charge of window treatments too. Oh I could do a whole post on the window treatments in “Emma.” which Anya Taylor-Joy (actress who plays Beth) also stars in.

and now, the moment we have all been waiting for…* drum roll please *

THE HOME DECOR MAKEOVER SEQUENCE!

Beth is newly empowered, she bought her home outright, she’s successful and rich and what better way to assert her newfound identity and independence than by redecorating her parent’s home!

There’s nothing more fun and satisfying as a viewer than to watch a character’s story develop as manifested through a makeover sequence. Instead of all the hard, slow, and boring work we as normal humans have to undergo for a transformation of self, whenever we get treated to a montage makeover in movies or TV, the transformation is sped up into a series of quickly changing sequences that rapidly show the outer reflections of the inner work. (supposedly)

sitting forlorn and lonely in the furniture showroom. Don’t worry Beth, nothing a good new wallpaper can’t fix!

sitting forlorn and lonely in the furniture showroom. Don’t worry Beth, nothing a good new wallpaper can’t fix!

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Usually it is a parade of costume changes and grooming with a new haircut, but “The Queen’s Gambit” gave us a home renovation which Beth is undertaking alone to become the grown adult woman with an identity she is creating for herself, which is just as satisfying.

our first glimpse at the new wallpaper in her home! It looks pretty similar to the geometric shapes that were there before, but it is a totally different colorway, and one of the examples featured in the home decor display Beth visits.

our first glimpse at the new wallpaper in her home! It looks pretty similar to the geometric shapes that were there before, but it is a totally different colorway, and one of the examples featured in the home decor display Beth visits.

oooo living room wallpaper is totally redone! also in a light pink. her trophies now on prominent display. The fact that they are on the piano…showing that she is living out her passion and calling without fear unlike her mom and her piano playing?

oooo living room wallpaper is totally redone! also in a light pink. her trophies now on prominent display. The fact that they are on the piano…showing that she is living out her passion and calling without fear unlike her mom and her piano playing?

dining room wallpaper redone! and hip modern abstract art as opposed to her mom’s old frilly landscape paintings.

dining room wallpaper redone! and hip modern abstract art as opposed to her mom’s old frilly landscape paintings.

you might notice that these three new wallpaper’s that Beth chose are exactly the three on display at the home decor store (see below).

Which maybe is a statement of how she wanted a change but didn’t want to put that much of an original personality spin on it preferring to just buy a display out in its entirety. Does also sound like the thing a working woman with lots of cash but preoccupied with other things (such as world chess domination) would do.

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Here are some other shots of the newly made over home. Still a riot of pattern and color similar to the way her mom Ms. Wheatley decorated her home prior, just with a new more updated spin, lighter in feel, and more like a young modern woman.

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look at that super fun mod kidney bean side table!

look at that super fun mod kidney bean side table!

yup she bought the couch and standing lamp from the showroom. And a MCM bookcase that would look right at home in a Brooklyn apartment in 2017.

yup she bought the couch and standing lamp from the showroom. And a MCM bookcase that would look right at home in a Brooklyn apartment in 2017.

Interestingly, in the last episode (Episode 7) we see the rooms that Beth doesn’t makeover: the kitchen, her mom’s bedroom, and her mom’s master bathroom.

It seems to make sense that she would want to hold onto some parts of the home that remind her of her mom and ground her in those years with her. (that’s how I’m reading it).

It also could be by the time she got to the kitchen she realized how expensive it is to totally redo a kitchen and decided she couldn’t be bothered for the meantime (haha relate.)

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ok everyone, we made it to the final wallpapers of the season: this fabulous geometric one in Beth’s Russian hotel room.

oooooooooooOOOOO look at those matching bedside table lamps!

oooooooooooOOOOO look at those matching bedside table lamps!

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What I love about these two images above, is how the geometric wallcoverings in that long hallway ( I suspect they had a lot of big paintings to cover and fabric was the easiest clearable solution) are echoed in the geometric pattern of the bedspread, and in sync with the color palette and geometric angles of the wallpaper, and her final windowpane coat!

All this geometric angular black and white remind you of anything?…SAY A CHESSBOARD????

oh wait, the last and final wallpaper is actually the plaid one in the background of Jolene’s office. hmm with my plaid= chessboard theory I wonder why this is then associated with Jolene? (can’t quite figure it out)

oh wait, the last and final wallpaper is actually the plaid one in the background of Jolene’s office. hmm with my plaid= chessboard theory I wonder why this is then associated with Jolene? (can’t quite figure it out)

WALLPAPER COUNT: 28 total!

So for all my rhapsodizing of the FABULOUS and wonderous wallpaper and general design and decoration of “The Queen’s Gambit,” I have to say my number one disappointment in the series is how they treated the character of Jolene.

As I watched Jolene’s reappearance in the final episode I was like “Noooooo please don’t tell me they are…” ….sigh, they really are using Jolene as a stereotypical flattened out Black best friend archetype whose only real purpose is to care for our (white) protagonist and help her overcome her demons. Sigh.

Well fabulous wallpapers or not, we all know Hollywood has a LONG way to go in doing non-White characters justice on screen, which is precisely why I wanted to get into set decoration: to merge my love for decorative arts and design with the desire to help authentically and thoughtfully create sets for underrepresented characters on screen.

A Wrap on "The Flight Attendant" by Charlene Wang de Chen

(This is not even all the scripts or all my set files—just the ones that were stashed in a file cabinet 🗄 before March 12!)

(This is not even all the scripts or all my set files—just the ones that were stashed in a file cabinet 🗄 before March 12!)

The end of a job that stretched out over four seasons because of a pandemic. There’s always that surge of relief at the end of a job but also a twinge of sadness that all of a sudden it is over and the people you were used to seeing and texting all day long and the routes you drove on autopilot are done.

One of my proudest achievements on this job, however, is that I managed to find all the things we needed, within budget and on our crazy timelines WITHOUT once going to HomeDepot or ULINE from August-October (when we started back up after the COVID imposed break). This is something I’m truly proud of.

This past summer (2020) when many of us decided we would be more intentional about how we spent our money: investigate who it supports, doesn’t support, or harms, it felt imperative to cut out spending money at HomeDepot or ULINE. Especially when we are working with substantial budgets shopping frequently at home improvement and hardware stores (like HomeDepot) and wholesale bulk suppliers (like ULINE.)

Because of set decorating work, I can map all the HomeDepots in the NYC and vicinity for you off the top of my head and know the layouts of all the one main ones in New York City by memory.

Our art department coordinator on “Russian Doll,” Mia, did educate me on all the ways ULINE works against many feminist causes, and encouraged me to rethink supporting them back in 2018. …it was so hard to disavow them though, cause ULINE is so convenient. They reliably will ship you something by next day if you get the order in by 6:00pm, they have an amazing selection and good prices, and great customer service…

And same with HomeDepot, they have good parking lots, PARKING LOTS! all around New York City (which is huge when you are driving around a minivan and need to get a lot of things), a much better website and app than Lowe’s, locations everywhere, and unbeatable hours.

…but after this summer I decided despite it all, I really wanted to stick to my commitments of more intentional alignment with companies and try my best when working to not support either HomeDepot or Uline. Thankfully Jessica, the decorator for The Flight Attendant, was totally on the same page about this and supported and encouraged me to try.

I knew it would be harder and more inconvenient and I would have to rethink old default patterns of buying things. But we managed to do it for the last three episodes of The Flight Attendant. We had one set in (you’ll see once it airs and I’m able to post a behind the scenes about the set) which would have definitely been 10x easier with ULINE, but I found a competitor that got the job done! And as for avoiding HomeDepot, New York City actually has a bunch of old school hardware and building supply companies all around and I rediscovered the wonders of Metropolitan Lumber (a place I first starting using back when I was working on The Affair in 2016), which I came to learn has pretty much everything you need!

I never used either place once, which gives me encouragement that it is possible for all work moving forward.

The Flight Attendant airs on HBOMax on Nov 26!

Back at Work in a Pandemic! by Charlene Wang de Chen

Opening my old work notebook on August 3…for the first time since March 11!

Opening my old work notebook on August 3…for the first time since March 11!

Well we have resumed work on “The Flight Attendant” (the job I was working on in March when everything shut down due to COVID.)

We are one of the first productions back up in New York City and it feels a little bit surreal and scary to be first out of the gate…


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at our beloved flooring vendor CarpetTime

at our beloved flooring vendor CarpetTime

And then after the new air filters were installed in our production office, we were back in the office which was like discovering a lost civilization…

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Everyone's Real Homes by Charlene Wang de Chen

I’m on Day 17 of being stuck at home here in NYC.

It has been a real rollercoaster of anxiety, occasional moments of joyful laughter, and just all the emotions. But one thing I have really been enjoying in these 17 days of being at home, alone, together is all the videos and images people are sharing of themselves in their regular-un-prepped-for-a-photoshoot homes all around the world.

Getting access to so many normal people and images of their everyday lived-in homes has been a real treasure trove for me. I’m loving it on an anthropological level, a design level, and a human level. I love seeing all the little details, what art they chose to hang, what things are left out, what cords are hanging out where, and how they arrange their furniture to actually use their rooms—basically all the little details we try to recreate in a set when we decorate it.

For the first movie I ever decorated “Trouble,” I was struggling to put in what we call the “life layer” of a set. The life layer is the magical pixie dust we sprinkle onto sets to make it look like a naturalistic lived-in environment that a real human occupies and not the fictional set that a bunch of people were paid to create (which is in fact the reality hahah).

Life layer is the stray paperclips on an office desk, or the strange accumulation of earrings next to tissues and a cup with a loose subscription card from a magazine on your nightstand, or how layers of post-its are arrayed on a bulletin board. It is always a fun and challenging part of finishing dressing a set: to make this look as realistic, natural, and unconsidered (even though it is totally considered often 3+ people working on it together) as possible.

When I was struggling with life layer on “Trouble” I called an older more experienced decorator, the very kind and generous Karin Wiesel Holmes who was the set decorator for “Girls” and “Sex and the City” (I was an Art PA for Season 6 of Girls for little bit). Karin gave me some ideas and then told me this nugget of wisdom: “just think about all the things you would tidy up or put away when guests come over” as a guiding principle for life layer. I always think about this when I get stuck on life layer now. (Thanks Karin!)

So the great thing about all these videos and photos people are sharing of themselves stuck at home around the world during the spread of COVID-19, is you get an unvarnished view into peoples homes FULL OF LIFE LAYER. I mean maybe they did some tidying up before they hit record, but it still looks way more natural than most interiors we get access to in magazines, shows, and publications that showcase interiors.

Because most interior photoshoots of homes in interior design magazines are TOTAL FICTION. It took a team of many professionals to make it look like that for the shoot and often it is not even what the featured celebrity’s home actually looks like day to day. I heard a rumor from a friend in the industry about how the cover shoot of highly regarded New York actress’ home for a super prestigious and popular interior design magazine involved a decorator colleague sourcing and bringing in and swapping out new furniture and etc just for the shoot. Like I said, total fiction.

Also I subscribed to some of the premier interior design magazines and realized instead of inspiring me they actually bum me out. Because it is less about creative interiors expressing personality and interesting off-beat combinations or telling a story through design but about expressing wealth, prestige, generating “aspiration” and maintaining status quo “good taste.” barf emoji.

What I sometimes fantasize about it is creating a magazine of normal people interiors as a balm to that barf emoji. Like everyday people and how they create solutions for small space in their homes, or have off-beat design styles, or decorate their homes in a way that does not look like a generic instagram or catalog photo. Often I get stuck at the issue of “but how do you get that access???” and make sure people don’t self-consciously clean up before you arrive to take photos? It is such a human impulse to want to put your best foot forward and hide the things that make you feel less-than.

And that’s where all the self-quarantine, socially distanced, on lockdown because of COVID-19 videos and photos people have been sharing from around the world comes in. All of a sudden a wealth of images and glimpses into regular everyday peoples homes! People who decorated without a team of professionals guiding “their taste.” People who set up their home to make them feel comfortable, cozy, and as an expression of their passions and interests. AND I’M LOVING IT.

The last reason I’m loving it (hahah this turned out way longer than I expected) is because it also now this precious catalog of reference photos. Set decorators are always on the hunt and collecting good reference photos to help us re-create realistic interiors true to the character and setting of the story in the script. We study reference photos together with the production designer and try to catch key details from often grainy small photos that we will then try to find somewhere to then dress in to our set.

I feel like I always spend a good amount of time ingesting and really digesting reference photos whenever I start work on a set so that it can guide me when I’m out shopping and looking for things and particularly when it comes time to dress the set. And not just for period pieces, but contemporary sets too.

Whenever I see a good “reference set” in the wild, like a store’s cash register that has a lot of good little details, or an office with a lot of great layered memos and post-its on the wall, I snap a photo and treasure that little reference. Closely observing the mundane details of life like on an almost anthropological level to re-create is one of my favorite parts of set decorating work. And now with the all the homes people are filming themselves in, it is like a wonderful encyclopedic catalogue of reference photos of contemporary life.

Sigh, just writing this is making me miss the work of set decorating. …but it’s going to be while.

I’ll try to update this post later with photo examples of the interiors I’ve been loving getting a glimpse of while at home these last 16 days.

Stuck in a Period Film by Charlene Wang de Chen

Ok that is my dream in life to be stuck in a period film (preferably one in the Victorian era or Art Deco era) vs actually teleporting to the past because you get to bathe in the aesthetic while still having access to modern plumbing and human rights.

Anyways, like every other production the job I’ve been on is down which is why I find that tweet particularly amusing. With all this time at home I’ve been reconnecting to old hobbies and interests (been drawing, taking ballet classes, drinking a lot of tea) and coming up with creative projects for myself.

Plus watching my favorite thing: period pieces! I finished the latest season of Babylon Berlin (1920’s Berlin!!!) and probably should do a whole appreciation post of the phenomenal wallpaper in those sets. Actually I could do appreciation posts on each set they were all so good. Those wallpapers really got me through the initial high anxiety of the first few days of abruptly no longer having work and being at home.

One of the projects on my list of things to-do during this indefinite period of unemployment and sequestered time at home is (finally) updating this website from the time Russian Doll was nominated for an Emmy last July (lol) to now March.

stay tuned!

Art Directors Guild Awards 2020 by Charlene Wang de Chen

We really did not coordinate our outfits! But we are just so in-sync.

We really did not coordinate our outfits! But we are just so in-sync.

Russian Doll was nominated for an Art Director’s Guild Award for Outstanding Production Design for a Half-Hour Single Camera Series.

Russian Doll’s Production Design Michael Bricker and Art Director John Cox, were both on location in Israel, so Jessica Russian Doll’s Set Decorator and I were able to attend to attend the Art Director’s Guild Awards Ceremony in Los Angeles represent Russian Doll’s Art Department!

Jessica and I were both in NYC deep in the craze of filming The Flight Attendant but took nighttime Friday flights cross-country and flew back on Sunday morning the first weekend in February.

Here’s our fun fill packed weekend and my first time attending one of the Hollywood industry awards ceremonies:

for all women, awards ceremonies mean full on pre-show primping

for all women, awards ceremonies mean full on pre-show primping

Jess getting ready

Jess getting ready

classic Jess, just fitting in a little bit of work where you can after she was done with Hair and Makeup. Hey you don’t become an Emmy Award Winning Set Decorator this early in your career by just talent alone. It is called serious. hard. work. that…

classic Jess, just fitting in a little bit of work where you can after she was done with Hair and Makeup. Hey you don’t become an Emmy Award Winning Set Decorator this early in your career by just talent alone. It is called serious. hard. work. that Jess is so good at pushing out.

Thanks to the studio who covered our car service for the night!

Thanks to the studio who covered our car service for the night!

our first red carpet together

our first red carpet together

Yes, my first official red carpet and the carpet is not even red. !!!!?????!!!! I mean, it is scripted “red carpet” how did the set decorators mess up so colossally on this floor covering??? hah.

Anyways, the beginning is an open bar cocktail hour and it was a lot more people than I expected. So many unfamiliar faces and then we saw David Schelsinger, a fellow New York City based set decorator who Jess has worked with, and who was nominated for two different projects (John Wick 3 and Knives Out) that night!

Even though I’m from California (I hung out with my parents Friday night and Saturday morning and afternoon), in that space we definitely felt like “New York people” out of water.

Tip to my future self and anyone reading this: drink more at the cocktail hour, cause it is no longer open bar after dinner!

So then it is dinner time and it is like a wedding banquet/reception people seated in round tables in a hotel ballroom. We were lucky to be seated with the John Wick 3 people so seated with David and John Wick Art Director Chris Shriver who I know because we worked on In the Heights together!

We thought there was a good chance that Fleabag or Glow would win. …but Russian Doll won!

Thanks to David Schelsinger’s wife Leslie and Kevin Kavanaugh’s (production designer for John Wick 3) wife for taking the photos of us on stage for us. They are both moms so they were thinking like moms when they generously took this photo for us. I…

Thanks to David Schelsinger’s wife Leslie and Kevin Kavanaugh’s (production designer for John Wick 3) wife for taking the photos of us on stage for us. They are both moms so they were thinking like moms when they generously took this photo for us. I’m sorry I’m feeling very anti-feminist for only remembering them as their husband’s wives but that was the context in which I was meeting them. It’s shameful, I know.

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looking out into the crowd, it was very very white. filled with older white men. when we exited the stage, it was so exciting to see the friendly and familiar face of Nelson Coates! The Production Designer of “In the Heights” (that’s how I know him) and “Crazy Rich Asians “and so many more things!

Nelson is also the president of the Art Directors Guild so he was there to greet us as winners, and it was so nice to hug someone I actually knew in such an unfamiliar setting and my first time at an experience like that.

AND THEN IT WAS PARTY TIME!

Jess and I vowed to dance it up at the after party like we did at the Broad City Series Wrap Party (still the funnest wrap party I’ve ever been to).

Here’s Nelson and I on the dance floor. …as you can see I’m quite sweaty from the dancing.

Here’s Nelson and I on the dance floor. …as you can see I’m quite sweaty from the dancing.

An “In the Heights” Art Department reunion on the dance floor! Sorry I don’t know who the lady is, Nelson the Production Designer, Chris Shriver the Art Director, and then me the Set Decoration Buyer hahhaha—we missed you Andy (Andy was the “In the …

An “In the Heights” Art Department reunion on the dance floor! Sorry I don’t know who the lady is, Nelson the Production Designer, Chris Shriver the Art Director, and then me the Set Decoration Buyer hahhaha—we missed you Andy (Andy was the “In the Heights” Set Decorator).

The afterparty was fun. It was also surreal. At one point I was in the bathroom and a stranger came up to me and said “congratulations” and I did literally look behind me because I didn’t realize she was talking to me.

Some highlights include:

-TALKING TO THE GAME OF THRONES PRODUCTION DESIGNER DEBORAH RILEY (I was seriously fan girling because I watched each and every behind the scenes on the Game of Thrones sets and she is LEGENDARY. She was the nicest, most gracious, and down to earth person.)

-Jess and I both realizing we didn’t have any money with us and thus realizing we couldn’t get any more drinks (see previously mentioned note about drinking more early on)

-At the end of the night, we are getting in the elevator and Catherine O’Hara, YES that Catherine O’Hara: Kevin’s mom in Home Alone and Moira Rose on Schitt’s Creek", is standing inside with the other passengers and says to us “HEY you guys won tonight! Congratulations!”

people I wish I made an effort to talk to but was too busy dancing to have thought about this in a more intentional way:

-Parasite Production Designer, Lee Ha-Jun

-Taylor Swift’s Music Video Production Design Team (dream job)

-Taylor Swift’s concert designers (ok yes, I’m a total Swiftie!)

The coach turned back into the pumpkin. End of the night back in our hotel room.

The coach turned back into the pumpkin. End of the night back in our hotel room.

the next morning in LA as I heat up some hot water for my morning ritual of warm water.

the next morning in LA as I heat up some hot water for my morning ritual of warm water.

HAHAHAHAHAHAHAHHAHAHAHAHAHAH

HAHAHAHAHAHAHAHHAHAHAHAHAHAH

on the flight on the way home to NYC

on the flight on the way home to NYC

Jess and I were both at set at 6am Monday morning in NYC.

Little America is out! by Charlene Wang de Chen

premiered on Apple TV January 17

premiered on Apple TV January 17

Last winter, I worked as the Assistant Set Decorator for four episodes of Little America. This was the unusual TV show that had two Art Departments, one for every even episode, one for every odd episode. We were “Team Odd” (which of course we all loved.) But then the number we shot the episodes as (and which ones were odd or even) changed when it came time to air, so I think all our credits are attached to the wrong episodes…

Finally on February 8, the Decorator Lindsay, our team’s Set Dec Coordinator Jackie, and I all went to Lindsay’s place, ordered some really good pizza and watched the episodes we worked on together. Which are the following:

Episode 7, “The Rock” about Farhad.

Episode 7, “The Rock” about Farhad.

Episode 2, “The Jaguar” about Marisol.

Episode 2, “The Jaguar” about Marisol.

Episode 4, “The Silence” about a silent meditation retreat in the 1970s.

Episode 4, “The Silence” about a silent meditation retreat in the 1970s.

Episode 6, “The Grand Prize Expo Winners”, about Ai.

Episode 6, “The Grand Prize Expo Winners”, about Ai.

It is always fun to watch the finished product with the people you worked on it with. Reminiscing about the crazy little stories, the funny memories, the moments of extreme stress, and the things that gave us grief as we see them appear on the screen. As well as being able to exclaim in excitement when a set comes together in a great way on screen after the editing and plus the lighting, costume, hair and makeup, and of course the actors.

We all shared a few moments of heartbroken disbelief when sets we worked on really hard never made it on screen (scenes in the script that took place in that set were edited out or certain angles of the camera never captured the part we were most proud of in the set).

The real heartbreak was in Episode 6, “The Grand Prize Expo Winners” where they added in new scenes they reshot in Los Angeles after they finished filming in New Jersey, so then used a completely new home set as the setting for the childhood home as opposed to the one we worked on. The home we decorated was so lovingly put together with so much attention to detail and came straight from my heart and personal lived experience…(crying emoji).

…I’ll try to put together a post of set photos from that home so at least the set can live on here even if it never made it on air.

Either way it was such a gratifying show to work on to focus entirely on immigrant stories that were so unique and compelling with some really fun sets. (on Apple+ TV!)

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I would like to thank the Academy (hahha) by Charlene Wang de Chen

an exciting certificate came in the mail

It was super nice of Jess to give the Television Academy my info which resulted in this official certificate of recognition of my work on Emmy Award ;) winning Russian Doll!

Part of why I think it was so exciting for all of us involved that Russian Doll won the Production Design Emmy is we were such a small team in the Art Department and Set Decorating Department. I’ve regularly worked in Set Decorating Teams that are at least 4 assistant decorators and shoppers, a PA (or two), and our own coordinator supporting the key head Set Decorator and a huge Art Department (like 20+ people) infrastructure to prop the work up.

On Russian Doll the Set Decorating Department was just Jess and me. We didn’t even have our own PA! The entire Art Department, including us, was just 7 of us (at our biggest 9) crammed into one room on the 4th floor of an old 19th century tenement building in Soho above a Chipotle and FedEx store. True glamour.